Hidden LiteraciesMain MenuHidden Literacies - An IntroductionPhillis Wheatley, Amanuensisa letter from Susanna Wheatley, likely dictated to the famous poet she enslaved — with commentary by Katy L. ChilesWalt Whitman’s Baby Talka Confederate veteran writes fan mail in the voice of his infant son — with commentary by Matt Cohen‘Permit Us to Speak Plainly’the 1849 Munsee Petition to Zachary Taylor — with commentary by Andrew NewmanJuvenile Journalism and Genocidea manuscript magazine by three young boys — with commentary by Karen Sánchez-EpplerVisions, Versions, and DeedsCreek Sovereignty in Coosaponakeesa’s Memorials — with commentary by Caroline WiggintonAccounting for Mary Fowler Occoma household inventory of Mary Occom — with commentary by Kelly WisecupLetters and Charactersletter from Walter Duncan to Dollie Duncan from the Oklahoma State Penitentiary — with commentary by Ellen CushmanWriting the Prisoncongregate literacy in the New York penitentiary — with commentary by Jodi Schorb‘Outlandish Characters’a Kickapoo prayer stick — with commentary by Phillip RoundCesar Lyndon Was Herethe account book of an enslaved man in colonial Rhode Island — with commentary by Tara A. BynumBirch-Bark Publications of Simon PokaganMargaret NoodinHidden Literacies - The PodcastAll podcast episodesHidden Literacies - CreditsIndexIndex of all pages
locations of cultural struggle
12019-07-12T11:52:21+00:00Joelle Thomas0feb3b2b7a8befeee2c7d2d710d303ed9677214112Cohen page 3plain2019-07-15T10:37:43+00:00Joelle Thomas0feb3b2b7a8befeee2c7d2d710d303ed96772141This struggle, then, is taking place in many locations in our culture, from theatres to town squares to libraries, special collections, and courts of law. There are several rapidly developing sites of experimentation with new ways of linking past, present, and future through texts and artifacts. The United States’s enactment of the Native American Graves Protection and Repatriation Act (NAGPRA) in 1990 and a series of international agreements about protecting Indigenous traditional knowledge, for example, have encouraged the growing adoption of post-custodial approaches to cultural preservation, collaborations between institutions and Native communities that relocate to the latter interpretive power over collections. In the study of the African American past, Saidiya Hartman’s influential work asks hard questions about the way sentimentalized depictions of the violence of slavery, past and present, force a reckoning not only with the uncharitable aspects of the antislavery movement but with our own desires as historians to pull voices from the echoes of the Great Hole of History. “How can narrative embody life in words and at the same time respect what we cannot know?” Hartman asks. How can you represent slavery’s violent past without perpetuating that violence, given the many modes by which History is passed on, the spectrum of means by which people attach to its representations? The most metaphorical version of literacy—cultural literacy—these days incites some of the fiercest feelings, for so much leans on what reading is in this context, and on who is writing.
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12019-07-11T16:28:05+00:00Joelle Thomas0feb3b2b7a8befeee2c7d2d710d303ed96772141Commentary: Essay and PodcastJoelle Thomas13Cohen 1plain1102021-01-15T17:36:15+00:00Joelle Thomas0feb3b2b7a8befeee2c7d2d710d303ed96772141
12021-02-16T20:07:58+00:00Joelle Thomas0feb3b2b7a8befeee2c7d2d710d303ed96772141IndexJoelle Thomas10Index of all pagesvispath2021-02-16T21:23:12+00:00Joelle Thomas0feb3b2b7a8befeee2c7d2d710d303ed96772141
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12019-07-12T11:46:34+00:00Venus in Two Acts1citationplain2019-07-12T11:46:34+00:00